Showing posts with label public libraries. Show all posts
Showing posts with label public libraries. Show all posts

30 Jun 2021

Reflecting on Kildare Library Service's Online Events in 2020

Photo courtesy of authors
Guest Post by Amye Quigley, Bridgette Rowland and Shona Thoma of Kildare Library Service

Amye Quigley is an Executive Librarian with Kildare Library Service. She coordinates Kildare Readers’ Festival as part of her role as the Kildare Right to Read coordinator.

Bridgette Rowland is an acting Executive Librarian with Kildare Library Service and helps coordinate the STEAM programme for primary schools as part of her role.

Shona Thoma is an Executive Librarian with Kildare Library Service, coordinating events for children and young people, including the annual Children's Book Festival 


In April 2020 it became apparent that the pandemic would curtail library events for a long time to come, even if we couldn’t have predicted how long the lockdowns and restrictions would last. 

At Kildare Library Service, programming across all areas from children’s activities to age friendly, and from local history to Grow it Forward are now delivering successful online events. In this blog post, we offer reflections from three perspectives on how we made the transition from being entirely location based, to developing a range of virtual events for all ages. 

Shona Thoma, coordinator of the Children’s Book Festival, reflects on the challenges of delivering a festival programme with limited resources. Bridgette Rowland, coordinator of the STEAM programme, highlights new potential when working with schools. Amye Quigley, coordinator of the Kildare Readers Festival, outlines the process which led to the first online programme for the festival, and what that means for the future. 


Kildare Young Readers Festival and Children’s Book Festival

Children's literacy and creativity are supported and celebrated by Kildare Libraries events throughout the year. Two festival periods, the Young Readers Festival in May and Children's Book Festival in October, bring a particular focus to author events and workshops, giving children the opportunity to meet writers and illustrators, and explore their creative abilities. In May 2020, amid pandemic disruptions and significant time constraints, all events were provided online, with 20 events scheduled from 16th to 22nd May. 

In March and April, many library staff had been redeployed to work on the Community Call helpline, and IT restrictions prevented most staff from accessing emails at home. Organisation of events and managing bookings was very challenging without the library team and access to branch emails. Despite this, we felt that the Young Readers Festival should still take place in some way, offering fun activities to children stuck at home, and continuing to work with artists at a very difficult time for live performers. 

Pre-recorded video content was commissioned from two artists: storyteller Niall de Búrca, and illustrator Tarsila Krüse. Working with existing suppliers reduced the need for paperwork which would have been particularly difficult to arrange amidst so many of the unknowns in the early days of the pandemic. Six live events took place online, requiring registration, and providing much valued interactive sessions with children and their parents, these included storytelling, Yo-Yo-Yoga, and craft workshops. The safety and privacy of attendees was a key consideration, with great care taken to gather parental consent and ensure their supervision, and again working with existing suppliers with valid Garda Vetting in place. 

Photo Courtesy of Authors

With schools closed, all events were available for open booking, quite a departure for the May festival, but something that worked out very well. Schools delivery has been crucial in the past to reaching a wider audience of children than regular library users. Without the ability to publicise events through library branches, we promoted the festival via our recently launched blog, social media and eNewsletter. 

Feedback showed excellent satisfaction and that these events reached a different audience than when taking place in libraries or schools, many parents attending library events with their children for the first time. 

“It engaged him and allowed him to interact with kids his age and made him feel part of something outside this house and that means a lot to our kids right now.” —Parent feedback, Young Readers Festival May 2020

In October 2020, a further 34 online workshops and author visits were scheduled for the Children’s Book Festival. These comprised of live and interactive online events taking place via videolink to classrooms throughout the county, and 10 events held during the mid-term for children and parents to enjoy at home together.

The opportunities and challenges that we have faced by providing online programming will be familiar to anyone operating in this environment, we have highlighted some of the most significant when working with children and schools in the list below. 


STEAM Programme

Overview of the Programme

The Kildare Libraries’ STEAM programme supports the primary school curriculum across the county through workshops and talks in the subjects of Science, Technology, Engineering, Arts and Maths. Popular workshops have included planetarium visits, Lego engineering workshops, CSI forensics workshops and robotics workshops, with the emphasis on a hands-on model making the children active participants in the learning. The programme is planned a year in advance and aligns with the main national STEAM festivals throughout the year, starting with Engineers’ Week in February and concluding with Science Week in November.

Adaptation Following Covid

In March 2020, when Ireland first entered a lockdown due to the COVID-19 pandemic, just nineteen workshops out of a total of 154 planned for the year had taken place and, with libraries and schools all closed, we found ourselves with neither a venue nor an audience. What we did have, however, was pre-booked facilitators many of whom were more tech savvy than average due to the subject of the workshops and who were keen to adapt and innovate. In addition, with the schools closed and both teachers and parents scrambling to navigate the home-schooling environment, we recognised that the STEAM programme could fulfil a need for high-quality educational supports.

Some facilitators chose to create pre-recorded content that we could use on our social media channels and which could be viewed at any time whilst others adapted their workshops for live delivery through Zoom and both deliveries had their advantages. For example, environmental scientist Nikita Coulter filmed a series of beautifully illustrated biodiversity videos talking children through the meaning of biodiversity and Ireland’s ecosystems. While Tech Create delivered live coding, digital design and 3D printing workshops to children using open-source software which the children could access for free.

When the schools reopened in September, the STEAM programme was reimagined again for online delivery to schools. With children no longer taking part from home on individual devices we had to work with facilitators on a format that would be suitable for whole-class delivery and, where possible, would still include a practical, hands-on element. This had to be balanced with ensuring the delivery was in line with Covid health and safety protocols in schools. To this end, many of our facilitators supplied resource packs to accompany the workshops, with a minimum of one pack per class pod, which allowed children to carry out activities in real time with the facilitator. 


The 2021 STEAM Programme and Beyond

With the pandemic and restrictions ongoing, the decision was made to retain the online delivery model for the STEAM 2021 programme. However, we have been able to capitalise this year on some of the key opportunities the online medium allows – chief amongst them being the potential for bigger events and for access to a larger variety of speakers. In March 2021 we held a hugely popular talk for families by Professor Luke O’Neill entitled ‘Vaccines, Viruses, and the Immune System: The Real Science Behind Covid-19’. In June, we also held a panel discussion with a range of speakers from STEAM backgrounds in partnership with Maynooth University. The convenience of the online model and the potential for larger audiences makes booking high-profile speakers more viable and schools get to engage directly with leading STEAM figures.


Opportunities and Challenges

The online delivery of children’s programmes at Kildare Libraries presented various opportunities and challenges:

Opportunities:

  • Increased engagement – we had many schools engage with the programme for the first time based on the convenience of not needing to arrange costly transport into the library or permission slips from parents.
  • Increased accessibility – we received feedback from parents and teachers that for children with particular additional needs the online delivery removed some of the anxieties they may have faced around visiting a new venue.
  • Potential for larger events – we were no longer bound by limited capacities within libraries and could have multiple classes attend an online event.
  • Increased choice of facilitators/speakers – we can potentially engage speakers from anywhere in Ireland or indeed abroad.

Challenges:

  • Potential weakening of the library’s role – With the workshops no longer taking place within libraries, there was a risk of the visibility of the library’s role and our wider supports being diminished. To counteract this, we encouraged staff to introduce the workshops and to promote our other library supports and use the workshop as an opportunity to build their relationship with their local schools.
  • Wi-Fi/technical problems – while this could not always be anticipated our staff and facilitators offered to do technical trial runs if a teacher was unsure of the technology or their internet connection.
  • Adapting workshops for delivery online – not all of our 2021 facilitators were able to adapt their workshops and some have been postponed until such time as they can delivered in person again.
  • Risk of school closures due to Covid – All of our facilitators offered a plan B where, in the event of a school closure, the workshop could still be delivered remotely to the children at home with the support of the class teacher.
  • No shows – with the schools not having to travel to a venue, and despite frequent reminders, we have had the occasional incident of a school forgetting to log in on the day.


Kildare Readers Festival

Kildare Readers Festival has been held in Co. Kildare every year in October since 2010. It is programmed by a committee of Kildare library staff. The audience has a mixed age bracket with an unknown level of technical skills. It runs for a fortnight with events hosted in the seven main library branches, culminating in a weekend of events held in the Riverbank Arts Centre.  

Planning for the Kildare Readers Festival starts in January every year. When Ireland went into lockdown in March 2020 the committee put all planning for the festival on pause. As the pandemic restrictions extended, many other literary festivals were postponing, rescheduling, or cancelling their 2020 programmes. The decision was made in June 2020 that we would have to move the festival to an online platform if it was to go ahead. We started to plan for a reduced number of events over the festival weekend only, up to a maximum of six events. For contrast, in 2019 we held 27 events over a fortnight. 

The committee had no experience of bringing events online. We attended as many events as possible held by festivals that were going ahead to get an idea of what other organisations were producing. There was plenty to consider; how to hold the events, live, pre-recorded, on what software platform, would IT give us access to that platform, would we be able to manage it all ourselves, would we have to get outside expertise, how much would this cost, would technology let us down, would anyone attend, etc. We chose to go with pre-recorded content. 

We planned to record the events in our usual theatre venue. However, between the county specific lockdown for Kildare, Laois and Offaly, and availability of the Arts Centre, we had to quickly reassess, and plan to record events over Zoom. Staff did not have the software to do post-production on the videos recorded so this had to be outsourced to a production company. 

We then had to decide on what platform we wanted to present the festival. There were discussions around Facebook or YouTube, and whether events should be ticketed, or open to all. We decided to upload the events to Kildare Library’s recently launched Vimeo channel. They were password protected and “released” to the public on a scheduled date and time, to make it feel more like an event to be viewed together. Despite our initial plan to only hold six events over the weekend of the festival, we hosted 13 events over a week with just over 1,600 views of the events. 

What did an online festival allow us to do? 

It provided us with access to authors we would not have otherwise been able to invite to the festival due to budgetary constraints. We should have taken greater advantage of this in hindsight, but it allowed us to invite a poet and an author living in the US. 

It freed up budgets from transportation and accommodation costs, but this was counteracted by higher production and post-production costs so that the recorded events had the same look and feel to the branding. 

What would we do differently?

While we provided a set of guidelines to our authors/guests around ensuring their sound and cameras were clear, checking their internet connections, etc., more rigorous pre-checks would have helped deliver higher quality. We should have been clearer about the use of technology required, as a couple of recordings were made on phones and tablets which were being held by hand. We should have been more confident in our abilities as a committee, as we soon found that we managed live events with great success. 

The festival committee subsequently programmed our events for the national Ireland Reads Campaign in February 2021. We held eleven live online author events for various age groups using Zoom. We are now also using Eventbrite to manage the bookings. 

Based on the feedback received, being able to catch up on the events later was appreciated. Being able to attend from locations further afield than Kildare and its surrounding counties was a bonus for some. A hybrid approach of online and live events is planned for 2021, which will be dependent on Government guidelines closer to the time, frustrating the planning process once again this year. We realise that events that would normally be held in our libraries will more than likely have to be online again in 2021. We are looking at the possibility of using the Zoom webinar function instead of meetings, which is being tested with other library events this summer. Due to the availability of some guests we would like to invite to the festival this year, some events may have to be pre-recorded, but feel this blended approach will be successful. Bigger literary festivals than Kildare Readers Festival have gone with this model of live and recorded events in 2021. 


No going back! 

All events, but particularly those for adults, such as Kildare’s Parenting Programme and Toys, Technology and Training series have reached record numbers by being hosted online. The improved accessibility afforded by online events is the aspect most commented on now by the programming team in Kildare, with the knowledge that we won’t go backwards in this regard. We have developed the interactive element of our online events, which is important for giving a sense of occasion and sustaining community around our activities. Looking forward, post Covid, we hope to adopt a hybrid approach, with in-person workshops forming the core of programming but being complimented by online talks from international guests, and the broadcasting of in-person, in-Kildare, events to wider audiences. 


11 Mar 2021

The #ebooksos campaign in Ireland

 


Cathal McCauley is University Librarian at Maynooth University and Vice President of the Library Association of Ireland

Background

During the summer of 2020 Stuart Hamilton (Head of Libraries Development at the Local Government Management Agency (LGMA), the agency responsible for all public libraries in Ireland), Marian Higgins (County Librarian for Kildare and current president of the Library Association of Ireland) and I were discussing what we considered as the perfect storm of financial pressures, a dysfunctional market and skyrocketing customer demand in relation to ebook provision.


Irish libraries, in response to the COVID-19 pandemic, had significantly increased spending on ebooks.  On the 26th March, just 13 days into what could now be called lockdown 1, the Irish government announced an additional €200,000 investment in ebooks for public libraries and they injected a similar amount again in June.  Academic libraries have also ramped up spending on ebooks and welcomed the decision by many publishers to make a range of content available temporarily available at no additional cost.  Ebook usage soared by up to 300% and the increased content was broadly welcomed by students, faculty and members of the public.  However, we like many other library leaders and colleagues were worried about the sustainability of the approach and concerned about the fact that this increased dependence and spend on ebooks was really highlighting the longstanding problems with the current models of ebook provision that predated COVID-19.


Ebooksos Campaign

As we struggled with these issues Johanna Anderson’s ebooksos campaign was gathering momentum in the UK and Research Libraries UK issued a content statement in support of libraries.   Anderson’s campaign started when she was unable to obtain ebooks to support a new flagship course at her own institution.  The few titles that were available as ebooks cost multiples of the print equivalent via third party platforms.  To add salt to her wounds, the titles that were made available were sold directly to the school for an annual subscription – limiting access to a small group of students and removing the library from the relationship.  Frustrated by this experience she started the ebooksos campaign.


The UK ebooksos campaign’s primary objective was to call for an investigation into the academic ebook market.  By early March 2021 more than 3,725 people had signed the open letter including the Library Association of Ireland, CILIP, senior university staff, eminent academics, student unions and many librarians.  In parallel to this the campaign crowd sourced data to highlight the issues of concern.  This confirmed that many ebooks are many times more expensive than their print equivalents, many titles are unavailable as ebooks and vendors apply a raft of onerous terms and conditions to ebooks that are available.


The Campaign in Ireland

Building on the work of our UK colleagues I drafted a call for action on what I called the electronic content crisis facing libraries and library users and, working with Marian and Stuart, the call was signed by four key representative groups: the Library of Association of Ireland who represent librarians and libraries in Ireland; the Irish Universities Association Librarian’s Group; the Technological and Higher Education Association Librarians’ Group; and the Consortium of National and University Libraries.  This was an unprecedented cross-sectoral move which underlined the level of concern in libraries about these issues.  This cross-sectoral dimension is an interesting difference from the UK campaign which started out with an exclusively academic library focus.


The full text of the call is available online.  The key issues are around the unsustainability of electronic content and ebook pricing and the objectionable terms and conditions under which they are made available.  It is important to note that public libraries face even worse terms and conditions than academic libraries do with concepts such as ‘exploding licenses’.  In addition to highlighting these problematic issues the call also suggested areas for action including more support for Open Educational Resources, copyright reform and - echoing the campaign in the UK – a call for these issues to be investigated by government. 


We followed up the call, again following the ebooksos example, by gathering examples of the kinds of issues we were concerned about and our data collection confirmed that some ebooks are 20 times more expensive than the print equivalent and many are 3 – 10 times more expensive.  Interestingly, the data gathered suggests that the largest multipliers are applied by the large international publishers rather than the small local Irish publishers.


Gaining Momentum

The campaign has attracted a great deal of attention.  Webinars focusing on it have attracted over 500 delegates, librarians involved in the campaign have been asked to speak at many events, the BBC, Guardian, IFLA and many more organisations have written about it.  In the UK an increasing number of senior staff in relevant organisations and government departments are now interested in the campaign and the issues it is highlighting.  


Next steps

Due to the cross-sectoral nature of the Irish campaign we need to liaise with a range of government departments.  We have written to the Minister for Further and Higher Education, Research, Innovation and Science and the LGMA’s Library’s Committee has referred the request for an investigation to the Department of Rural and Community Development who will in turn refer it to the relevant department for such matters – possibly the Department of Business, Enterprise and Innovation.


During March and April we are ramping up our social media campaign and we will be using the graphics and the #ebooksos hashtag from the UK ebooksos campaign which will make the two campaigns more seamless which is welcome.  We will also continue to work with the UK campaign and colleagues in the EU on highlighting our concerns and developing our responses.  To conclude, I want to pay tribute to Johanna Anderson for her passion, energy vision and leadership of the campaign – she is a credit to Librarianship!

22 May 2019

Your Local Library: A space for Everyone (Library Services for homeless people, refugees and asylum seekers)

Libraries are for Everyone. (New York Public Libraries)
Guest post by Sheila Kelly. Sheila is a Divisional Librarian working in Dublin City Libraries. Through her work in branch libraries across the city,  she has developed a strong  professional commitment to equality and inclusion, and evidenced the impact of public libraries on marginalised and disadvantaged groups

Homelessness Services Background
The Dublin Homeless Region Executive, the authority responsible for housing in the Dublin region, provided me with contacts for hostels, hubs and hotels. These were mainly Development Managers who work for homeless charities such as Focus Ireland, Respond, Peter Mc Verry Trust, Dublin Simon, Depaul and the Salvation Army. I had the opportunity to visit some hubs and set in place a framework to ensure that homeless people had access to our library services. I’d like to share my thoughts and experiences.

People living in homeless accommodation are not a homogeneous group… homeless people are families and children.
Women’s homelessness and family homelessness is a new and devastating phenomenon. Children are being born into homeless accommodation; small and older children share rooms; young people have no study space and parents have no privacy. Parents must be in constant charge of their children and no visitors are allowed.

Many people, particularly fathers go to work from homeless accommodation.  During my visits and discussions, I came to realise that some accommodations had changes in service or development managers and were managed by a hotel manager solely. While this ensured adequate meals and good hygiene, these are far from what we would call ‘home’.

These are heart breaking scenarios and we had to set our parameters and focus on what is our remit – that is to provide a library service to everyone equally.

Thoughts on equity in library service provision 
Initially I identified hostels and hubs and linked them to local branch libraries. People living in the hubs were offered a block loan; advised of contact persons in the local library; library tours were arranged for Development Managers, individuals and families.  Focus Ireland’s Family Homeless Action Team Leaders were briefed on library services available for people accessing emergency accommodation.

And then I thought “that’s that..sorted” … until, through my visits and discussions I came to understand that hidden barriers existed for homeless people. We automatically assume educational and cultural barriers to library usage, but increasingly for homeless people the barriers are circumstantial and problems of loneliness, isolation and de-skilling prevail.

With the greatest respect for people’s privacy and confidentiality I learned that individuals living in homeless accommodations may lose life (home-making) skills- meals are arranged, rooms cleaned, financial and independent decision making opportunities are eradicated. However, individuals are expected to source suitable accommodation for themselves and their families.

In public libraries we say everyone is equally entitled to a free library service. We need to progress this to include the notion of equity- a notion involving fairness and impartiality. In an “equal” system everyone is given the same library service; in an “equitable” library service people are given the service based on the eradication of existing barriers and supporting individual’s needs.

Library Service: Our Aims and Focus
Our aim in Dublin City Libraries was to offer individuals and families living in supported temporary accommodation the opportunity to use our library services in the same way that everyone else does. Our focus was not that homelessness made people ‘different’- our philosophy is that homelessness makes no difference in our branch libraries. We sought to provide a robust, sustainable and easily resourced framework that would accommodate transient families, staff, and changes in homeless services provision.

In terms of equity in library service provision it became glaringly obvious that our membership rules, requiring proof of home address, were a distinct barrier for homeless people. We introduced easy membership, accepting different forms of proof e.g. letters form the Dublin Homeless Region Executive, Homeless Charities Development Managers, Hostel, Hotel or Hub managers etc.

Targeting Services
Hubs, hostels and hotels vary and some specific interventions were put in place. A library Open Day is planned for immigrant families who want to integrate in their community, kinder boxes were provided to two hubs, and we plan to lend tablets (particularly for library eResources) in the future. We offer one storytelling session to introduce the library if this can be made available in the hub.
We have collaborated with one local area partnership to deliver a specific Storytime project to encourage and help parents read to their children. This will take place in a hotel where families are particularly isolated.

We targeted two Integration centres- one already has links with the local library. The second one required a greater intervention. We designed and printed a leaflet inviting residents to join the library which included a map of how to walk to the library. These leaflets were placed under bedroom doors.

Challenges
Hostels can be difficult to manage and reach as individuals may be isolated or have mental health difficulties. One hostel is successfully linked to one library and residents have joined up independently.  Management of hubs can be sporadic and dependent on the homeless charities involved. Various charities operate in diverse ways and even when Development Managers are assigned there is a quick turnover in staff.

We have to understand that hubs are not group homes- every bedroom door is a family’s front door. Privacy and respect are paramount so any performance indicators can only be anecdotal. We have clear anecdotal evidence from our branches that the numbers of homeless people using the service has increased noticeably.

Location is also problematic depending on hub and library locations and access to public transport.

Learning
It is a privilege to work on this project which I believe reflects the heartbeat of the profession of public librarianship. It allows us reach those who need us most- the newly arrived immigrant, the young teenager studying for Leaving Cert on a hotel bedroom floor, or the newly registered homeless father. There are serious complexities involved in reaching people in homeless accommodation and as always the development of good communication channels is paramount. We need to stop talking to ourselves! We need to promote our libraries using clear informal language. We need to simply say “you are welcome here” and loose the information overload. Once those (so) marginalised people come through our library doors we can be confident they will get the best service, the best welcome, the best sense of belonging as we vitalise our professional conduct, activate our public service equality ethos and reach those who need us most. To that end I would like to thank the wonderful Dublin City Libraries staff I work with, for their enthusiasm, professional commitment and excellence in service delivery. I am reminded of Maya Angelou who said:

“The ache for home lives in all of us, the safe place where we can go as we are and not be questioned”

A bit like our libraries then….




14 Apr 2019

Review of the LAI / CILIP Joint Conference 2019

Photograph by author

The LAI and CILIP certainly know how to choose a hotel in which to stage their Annual Joint Conference. They chose the stunning Kilashee Hotel in Naas for this years conference. 

The issue with choosing such a wonderful venue is that it may overshadow the conference itself. This was not the case in this instance. #laicilipire19 was one of the best, most enjoyable, conferences I have attended in the last few years. And what was surprising for me, as an academic librarian, is that some of the best papers, for me, came from public library speakers as opposed to the academic libraries. 

The theme of this years conference was ‘Inclusive Libraries’, a theme that applies to all libraries, and the breadth of speakers was wide and came equally from public and academic libraries.

There were three keynotes speakers, all excellent speakers and papers – entertaining and informative. 

Erik Boekestejin took us on a whistle stop tour of his travels around the world working with libraries and provided us with many examples of how we, and our buildings, can be more inclusive and help us as we engage with our users. 

Rosie Jones also used her extensive personal experience to show us how libraries can be, and must be, more inclusive. A particular take home for me was how impressive and essential an organisation the Open University is. Another was this new definition of Information Literacy by the CILIP Information Literacy Group :

‘Information literacy is the ability to think critically and make balanced judgements about any information we find and use. It empowers us as citizens to develop informed views and to engage fully with society.” 

In today’s world of fake news, echo chambers and blatant lies from those in power this is what we as libraries need to be teaching.

Unfortunately, due to train timetables I had to leave early and miss some of Traci Engel Lesnicki’s paper on library design and how essential the design of a space is to how the user experiences that space

A common theme that ran through the keynotes and many of the papers over the two days was the importance that playfulness plays in terms of design of the space and engagement with the user.

Before the conference I tweeted out that I was suffering from FOMO – fear of missing out – because of how many great looking papers there were on the conference programme 


As it is, I chose carefully and all the papers I saw in the breakout sessions were excellent. Too many papers to elaborate on so I now provide a very brief overview of the sessions I attended and papers I particularly enjoyed.

Firstly, Jane Burns paper looking at graphic medicine as a pedagogical tool for Health Information opened up to me an area I knew little about before hand and I can see this means of teaching as working across all disciplines and subject areas.

As I have a soft spot for anything to do with Chinese Librarianship I was particularly looking forward to James Molloy paper recounting his personal experience of teaching Information Literacy in China. I was not disappointed. 

A particularly powerful paper was that of Elaine Chapman and Sarah Anne Kennedy exploring the benefits of employing staff with disabilities in libraries. It was pointed out that this is a very much under-researched area. I was particularly pleased to see Elaine Chapman get perhaps the warmest most heartfelt round applause I have heard at a conference. 

Mark Ward’s paper, working from his own research, on the library as a Queer Space was particularly interesting and delivered by Mark in his by now familiar warm engaging relaxed style. For somebody with a background in sociology of sexuality and language I found this a particularly necessary important paper and area of research. 

Robin Stewart’s paper about a music appreciation club run in Co Meath Library appealed to the Shush! Sounds from UCC Library librarian in me and has me thinking, could we bring something like this to UCC Library.

Laura Connaughton spoke about an initiative at Maynooth University where the library organised a competition modelled on the TV Programme The Dragon’s Den (but with nicer dragons) where students would pitch their idea to the library for something that would improve the library for them. It was a great way to engage the student population and really listen to them.

Robert Whan, in his paper,  Armagh Robinson Library: A Case Study of Inclusive Engagement told us about two programmes, aimed at different ends of the age, that the library has. The first is a programme at elderly living with dementia and their carers. The second is aimed at under five years of age children.

An interesting approach to teaching was discussed by Ainé Carey and Catherine Ahearne in their paper Actions Speak Louder than words: co-delivering activity based classics at MU Library. 

Niall O’Brien told us about how Maynooth tackled the issue of orientation so as to make it more inclusive and actually more useful to the students themselves.

I was speaking in the session Research or Studies exploring inclusiveness in Libraries and Maria Ryan and Joanne Carroll’s paper looking at the steps the National Library of Ireland has been taking to make the library more inclusive and diverse was a great and interesting distraction before I went up to speak about The Transition Year Work Experience Programme and DEIS Schools... The Experience from UCC Library.

As was Ann Cleary and Philip Cohen’s paper looking at lessons learned from their National Forum for the Enhancement of Teaching and Learning in Higher Education funded research project L2L Librarians Learning to support Learners Learning.  

Though I enjoyed all the papers I saw the stand out paper for me was Sheila Kelly’s paper Your Local Library: A Space for Everyone. Sheila, of Dublin City Libraries, spoke about the amazing, life changing, work that she and her colleagues do with Dublin’s homeless. Her paper for me was a powerful reminder of the power of libraries and a damning indictment of a society that permitted this homelessness situation arise and, worse, to continue.

And finally, there was one more highlight for – this conference contained the best poster that I have ever seen in competition. The poster  AIT Library Facilities: Engaging and Informing Students with Disabilities: Inclusiveness and Information– by Mary Mulryan  was a simple but utterly effective poster that any library could adapt for their own needs library. I am very to say that Mary won the best poster competition as it really is an amazing poster and it shows that there can be justice in the world. 


Photograph by author

All in all I thoroughly enjoyed and was inspired by this conference. The mix of libraries and librarians was great and to see people from different sectors mixing and sharing ideas was great. Here’s hoping that some interesting collaborations between our academic and public libraries emerge.

As an aside – the organisers did remarkably well when it came to the sponsors. There were so many I had never seen before. I would recommend that our academic conference organisers take a look at the list of sponsors and consider them as possible sponsors for future events you may be organising,

On the form of this year the LAI CILIP looks like it will become yet another must attend library conference – along with the ASL Conference and the CONUL Conference. I personally look forward to seeing what #laicilipire20 will bring.

And I will leave it up to a tweet from keynote Rosie Jones to sum up the conference and main themes. 







25 Jul 2017

Video games and Libraries

Guest post by Eduardo Cruz-Palacios

Source: pixabay.com
As you well know, books, libraries and librarians have always been together. With it, librarians concerned about preserving our written knowledge, they began to protect books with the aim of preserving our cultural legacy to transmit it to future generations by gathering, organizing and preserving what known. It means that libraries allow us to know who we are and where we come from.

Owing to technological improvements, specialization came to the book industry, so the capacity for book development was enhanced. So was the variety of books. Then, new documentation institutions emerged to preserve these books according to different needs (preserving the national bibliographic heritage, facilitating their access to local communities, supporting educational processes in universities, improving literacy skills, etc.).

Other kinds of industries were devoted to encode culture in a symbolic way and to "engrave" it in such different materials. Science and technology have always fostered the creation of those cultural artifacts in which human beings have made its own ideas be immortal. As the cultural industry does not cease to create, documentation institutions have faced all the subtleties of these new materials so that they have never neglected their mission which allows us to transmit our cultural legacy to our children. I am referring to photographs, music, movies, websites, digital books,... and video games.

Culture and video games
What is your favorite video game?

If you think that video games do not appeal to you, perhaps it is due to the fact that you have not enjoyed one a) that offers you the kind of stories that engross you; b) whose mechanics (set of rules) motivates you; c) with aesthetic patterns that reflect your personality; or d) “built” with technology that looks made for you.

Video games buffs are called nerds because of its connotations of weird or marginalised due to what the activity of playing video games involves: it is needed for gamers to be locked physically and cognitively to enjoy. However, this is not new. A reader that reads about reading will know that many stories lived through books were underestimated because they were considered imaginary, distracting and even dangerous. Conversely, nowadays, how we encourage people to read! :)

Today, a similar turning-point, but on how we see video games, is happening. Reports regarding video games and users’ habits state some facts that mean video games are integrated into our culture (Asociación Española de Videojuegos, 2015ab. Spanish Association of Distributors and Publishers of Entertainment Software, 2011. Interactive Software Federation of Europe, 2011. PWC, 2011):
  • More and more people videoplay.
  • Factors such as sex, age, occupation or hobbies do not determine whether a person plays or not. Indeed, there always seems to be a video game for each person, as the specialization of video games industry has been creating such a varied range of this artifact.
  • What varies is the habits: when, where, why, with whom and to what we video game. Personality and sociocultural experiences are useful to determine our favorites ones (sometimes we play one video game because our friends play, or their story has already thrilled us with a series of books or movies).
Let’s look at these following images whose data being shown justify taking the integration of video games in our culture for granted. They concern the global, European and Spanish contexts, respectively. I am delighted to receive data about other countries.


Source: Asociación Española de Videojuegos (2015a).
























Source: Interactive Software Federation of Europe (2012).

Source: Asociación Española de Videojuegos (2015a).
From Libraries to Society
For libraries, video games must be resources for the accomplishment of its social purposes.

To begin with, the conservation of heritage. Libraries can assist in or even take charge of the preservation of these digital artifacts, which are representative of the culture we are. It is their experience in elucidating the relevant factors of documents, namely, the characteristics of formats, materials and contents, as well as in defining standards for the description and organization of knowledge what makes libraries be suitable agents. We find more reasons by considering libraries’ methodologies for digital preservation that address a multitude of aspects (technological obsolescence, environmental degradation, metadata harvesting, several kinds of media, etc.).

In addition to this, making this cultural heritage accessible for community. They are capable of negotiating with the industry to make video games available at no cost to people. What is more, they can design spaces to use video games in a effective and comfortable way as it happens in reading rooms.

Moreover, as instruments to develop activities that strengthen the community relationships. One of the missions of public libraries, particularly local ones, is to strengthen the bonds of people by setting up programs that join people having common interests. Literary cafes, reading clubs, exhibitions, etc. There will be many more, why not with video games? Is this an opportunity to connect with people not reached and to strengthen intercultural bonds?

Furthermore, as something to be literate. There are many approaches to literacies, particularly I am focused on Multiliteracies view (Cruz-Palacios and Marzal García Quismondo, 2017). As for video games, we must take into account the importance of considering knowing how to "read" (to videogame); "write" (to design and to code); to communicate using (within games with other people) or about video games (understanding the medium: technology, history, mechanics, aesthetics or art); acting according to citizen values; and dealing with our emotions to avoid the problems that some people associate with video games.

Besides, as a field of knowledge. Libraries can gather and organize the best documents about games based on its aspects or other resources’ that deal with them: history, design, development software, art, guides to create, treatises or manuals of basic knowledge, "packages" of specialized academic journals, websites of companies, directories of professionals, etc.

Finally, as something to be made in libraries’ makerspaces. Libraries could organise all resources what local community could need: space and infrastructure, technology (hardware and software), specialists, guides, etc.

Some examples
Videogame Lab on University California Santa Cruz (http://guides.library.ucsc.edu/videogames).

Computer & Video Game Archive on University of Michigan (https://www.lib.umich.edu/computer-video-game-archive).

Broward County Library (http://www.broward.org/Library/MyLibraryOnline/Pages/VideoGames.aspx).

University of Chicago’s Library (http://guides.lib.uchicago.edu/videogames).

Console Living Room on Internet Archive (https://archive.org/details/consolelivingroom).

National Videogame Museum (http://nvmusa.org/)

Museum of Modern Art (MOMA) (https://www.moma.org/explore/inside_out/2012/11/29/video-games-14-in-the-collection-for-starters/).

Greater Victoria Public Library (https://gvpl.ca/using-the-library/our-collection/video-games).

City of Melbourne’s Libraries (http://www.melbourne.vic.gov.au/community/libraries/collections-elibrary/Pages/games.aspx).

Bibliography, BBDD, journals, papers,... regarding video games selected by University of Michigan’s Library  (http://guides.lib.umich.edu/c.php?g=282989&p=1885546).

Library of Brooklyn’s Game Center (http://gamecenter.nyu.edu/academics/the-open-library/).

The UT Videogame Archive on University of Texas at Austin (http://www.cah.utexas.edu/projects/videogamearchive/index.php)

Cited Bibliography
Asociación Española de Distribuidores y Editores de Software de Entretenimiento (2011). El videojugador español: perfil, hábitos e inquietudes de nuestros gamers. Disponible en [consulta 21-06-2017]: http://www.aevi.org.es/pdf/EstilodeVidayvaloresdelosjugadoresdevideojuegos_resumenpresentacion.pdf

Asociación Española de Videojuegos (2015a). Anuario de la Industria del Videojuego. Disponible en [consulta 21-06-2017]: http://www.aevi.org.es/web/wp-content/uploads/2016/06/MEMORIA-ANUAL_2015_AEVI_-d-efinitivo.pdf

Asociación Española de Videojuegos (2015b). El Videojuego en España. Disponible en [consulta 21-06-2017]: http://www.aevi.org.es/la-industria-del-videojuego/en-espana/

Cruz-Palacios, E.; Marzal García-Quismondo, M. A. (2017). “Gaming para las Alfabetizaciones Múltiples: Videojuegos en la Educación del Siglo XXI”. V Congreso Internacional de Videojuegos y Educación (Puerto de la Cruz, Santa Cruz de Tenerife, España, 7-9 de junio de 2017).

Interactive Software Federation of Europe (2012). Industry Facts. Disponible en [consulta 21-06-2017]: http://www.isfe.eu/industry-facts