Showing posts with label cataloguing. Show all posts
Showing posts with label cataloguing. Show all posts

13 Jul 2026

Building a Library Without Walls: Rethinking Library Systems Through an Argentine Community Library in Ireland



This guest post is by Nadina Yedid, Assistant Librarian with Children's Health Ireland.

There’s a saying that goes, “They didn’t know it was impossible, so they did it”. This is the story of how I met an extraordinary group of people, who didn’t know it was impossible to build a library without a reading room, a storage space, or an LMS. So, we did it.

How it started

It was mid-2025 when I received a WhatsApp message from a colleague from my home country (Argentina). It was a link to an article in a local newspaper that read “A group of Rosarinos (i.e. from the city of Rosario in Argentina) created the first library of Argentine literature in Ireland” . The article explained that the founders of the project had come together out of a shared love of literature, but also as a way to recreate spaces they had in Argentina, to gather as a community, and to provide one of the things most migrants leave behind when we move: our books, in our native language. The article introduced some of the people behind the project, the idea that moved it, and had a few photos of the people building the project. But that was all. Saying I was intrigued is an understatement. Where was this library? What were the opening hours? Could I go visit? Was there an OPAC? And above all, were all these people from the photos Argentine librarians living in Ireland like me? I did some research and was able to find an Instagram account that I started to follow. I wanted to reach out, ask if they needed any help, but I worried that I might not have much to contribute. Surely there were other librarians in the group - and most likely better than myself. 

A few months passed with no news, and suddenly, a post: Book Club - Saturday October 18th - Charleville Mall Library. 

I attended the Book Club with the secret mission of finding out more about this library. To my surprise - or maybe not? - there were over 20 people taking part in the activity. The session included a round of presentations, throughout which I managed to keep my cover intact, without disclosing my secret librarian identity. By the end of the round I had realised none of the organisers or attendees had claimed to be a librarian. Were they also keeping their identity a secret? Or maybe there were no librarians in this library? I began to suspect, maybe this was a different kind of library than the ones I knew before. By the end of the session, the meeting gave way to informal chatter within the attendees. I had so far gathered only very vague information about the library, so I took a more direct method of research and started asking straight: “But where is the library? Where do you keep the books? What books do you have?” That is how I found out the library “Biblioteca María Elena Walsh” does not have a physical location. The books are donations from the community and authors, and they are stored in the houses of the people behind the project. They had an Excel file with around 200 book titles, and they wanted to build a catalogue, but none of them were librarians and they didn’t know how to do it. That was the moment when I let my guard down and revealed my true identity. When I told one of the organisers I was a librarian she was delighted to discover there was a library professional among us. I was immediately invited to join the project.

Building “The System”: the challenges

When I joined the first meeting of the group they were concerned about having a system that would allow them to share the books that were available through the library and lend them to other members of the Argentine/Spanish-speakers community in Ireland. The idea behind it was simple: there were people who hold books, and there were people who wanted to read books, they just needed a way to connect them. Since the library didn’t have a physical space for patrons to browse the shelves, they needed a way to let the community know which books were available. And since the library didn’t have a reading room, they needed their patrons to be able to borrow the books and read them at home. So essentially, an OPAC and a circulation module. 

By the time I got to them, some of the members had made enquiries with local librarians known to them. They were told, of course, that they needed an LMS, and were recommended to find out more about Koha. The group was divided between those who wanted to implement a more traditional library management system from the outset, this meant getting Koha installed on a server, catalogue the books properly, and manage all loans in the circulation module. Others felt that might take a moment, and it was better to just circulate the Excel file with the book titles, and have another Excel file to register loans and returns. I myself had mixed feelings. On the one hand, as a librarian, I felt it was my obligation to tell them “how things should be done the right way”, but on the other hand, I was afraid that if we waited to have everything perfect to launch it, we would end up not doing it at all.

Installing Koha presented a few problems: first and foremost, I didn’t have the technical expertise to implement it. Although I had worked with the system before, it had always been as a cataloguer, with a system already installed and parameters set by Interleaf. Hiring someone to do the job would have involved costs that the library, at that time, could not afford. Then, there was the problem of cataloguing the books in MARC format. Since the books were scattered across different homes, it would have been impossible for me to access all 200 volumes to catalogue them with the item in hand. So, this needed to be a collective work, where each “book holder” could enter the data of the books they stored. However, the idea of teaching a group of people with no prior library training how to catalogue a book in MARC format was out of the question. So, I began to wonder, perhaps Koha wasn’t the right solution? Maybe a library that is different to all the libraries I knew before required a different system to the ones I had used in the past.

All the books in the library were donations, so there was no real need for an acquisitions module. All materials were monographs, so no serials module required. All the borrowers would be end users, so no need for an ILL module either. The collection itself was composed mostly by widely renowned books that would almost certainly be available for copy cataloguing in many other catalogues or… platforms? It suddenly felt obvious.

Building “The System”: the solution

We live in an era in which almost all social activities are mediated by digital platforms. There are platforms to travel, platforms to meet people, platforms to share your photos, your videos, your research, and more. There is a platform for almost anything you might want. There had to be a platform to share your collection of books. I did some research and discovered there is actually more than one, but among them was one that seemed to have pretty much what we needed: LibraryThing.

LibraryThing  is a lightweight, web-based cataloguing platform that allows users to create and manage bibliographic records online. It can be thought of as something similar to Goodreads, but with a stronger focus on bibliographic metadata and structured cataloguing rather than on sharing opinions and reviews. Once you’ve created your account you can start adding books to ‘Your Library’ by copy cataloguing, importing records, or creating original records. The platform also links to a feature called “TinyCat”  that turns your LibraryThing catalogue into a library OPAC and provides a small circulation system for loans. It allows for institutional accounts, which, depending on their size and type can pay as little as €3 per month. 

I presented the idea to the rest of the group and we decided this system would do for the moment, at least until we have figured out whether we needed Koha or not. I recorded a short training video on how to add a book to our library. LibraryThing allows users to copy catalogue from many different institutions, such as the Library of Congress or the British Library. The sources from which you want to allow copy cataloguing can be edited, and we were able to add the Biblioteca Nacional Mariano Moreno (the National Library of Argentina). This library produces a lot of MARC records readily available through Z39.50 protocol, and it’s one of the most robust and reliable sources of records for Argentine literature.


 

Figure 1. Adding records through copy cataloguing

A few books from the library could not be found for copy cataloguing. Especially, donations from self-published authors, that didn’t have a bibliographic record available in other libraries. In those cases, we added the records manually, using a structured, field‑based metadata form rather than MARC records. The interface presents a simplified, metadata‑driven form for manual data entry that is very intuitive and only requires minor explanations for those who have not received library training. Again, the fields for manual entry can be customised to meet the needs of the collection.

 

Figure 2. Part of the template to manually input a record in LibraryThing

Once the collection has been built, you can either direct your patrons to your LibraryThing account, where they can see a full list of your holdings, including circulation information, for a more browseable experience. Or you can point them to your TinyCat site, for a more search-oriented experience.

 

Figure 3. View of the full collection list, with lending information



Figure 4. View of the search interface of TinyCat 

The “TinyCat” feature also enables a small circulation module which allowed us to create our own Patrons database. As expressed in the Privacy and TOS  LibraryThing is assumed to be in the position of data processor, and the institutions in the position of data controller, managing the data of their data subjects. So, it is the institution’s responsibility to ensure GDPR compliance for their data subjects, including collecting consent, managing consent-revocation, enabling access, etc. In our case, we did this by requesting all of our patrons who wanted to be registered in the library to complete a Google Form. The form included consent and adherence to the Maria Elena Walsh Library policies and regulations.

Once the patrons database starts to be built up, books can be checked out, returned, placed on hold, or other custom status. Preferences can be set for lending times, automatic emails to be sent to borrowers at the time of borrowing a book, reminders of coming due dates, and overdue items. The feature includes an option for patrons self-check in/out of books, and a patron interface with username and password access, although these options have not been used by our library yet. The system also facilitates reports to monitor activity by books and patrons. The only downside we have noticed is that the system does not seem to allow for reservation of books that are currently on loan. It appears the books can have only one status, either they are checked out, or reserved, but can’t be both checked out to one patron and reserved to another. Yet, for us, this is a small detail in comparison with the great benefits it offers.


 

Figure 5. General view of the TinyCat admin page

How it’s going

LibraryThing provided the catalogue and the circulation module, but we still needed a procedure. We created a website, bibliowalsh.org, where users could be pointed to find all the relevant information they needed to borrow books from the library - and to see the other many projects and activities the library is involved in. The website included links to a “how to borrow books” page, the library regulations, the catalogue, and the registration form.

The procedure is simple: anybody over 18 years old can register with the library for free. To do so they must complete the form available on the website and tick that they agree to the library policies and regulations. Library regulations can be found on the website, but are also hyperlinked on the registration form, for full transparency. After registering, the person receives a confirmation email, and can start borrowing books. Loans are for free; each patron can borrow one book at the same time - for now at least. They can keep it for 30 days and renew their loan for another 15 days. There are no fines for late returns, as the library works as a collaborative project and we expect to have the respect from all of our users. After registering, the person can visit our catalogue, choose from the database the book they would like to read, and email us to coordinate a collection time and location. Books can be collected from the library member who is housing the book, or can be brought to one of the library’s activities in town.

The launching of the lending system was marked with an Open Mic Night at the end of April. Since then - less than two months ago - we’ve had over 30 people signed up to register with the library. We have lent 8 books, to 7 different borrowers, and we expect to reach more and more people as word-of-mouth spreads. We have also received more donations, and we are about to reach the 290 books. Seeing these results, I can’t help but wonder: would we be in the same place if we had implemented Koha?

Final reflection

A library without walls poses a challenge to our traditional ideas of what a library is. It is possible that if I had come across this project while it was still just “an idea” I would have dismissed it myself, thinking “it is impossible”. But I think that, in this particular case, the fact that they started without a librarian on the team may actually have been what made the project possible. Simply because there was no one there to tell them this couldn’t be done. By the time I joined the team the project was already ongoing, they needed solutions, not criticism. This put me in a place where I had to rethink my own knowledge about how library services are built. What level of bibliographic quality is good enough? When does accessibility matter more than perfection? Which library tasks can be democratised? What is the role of librarians in community-led projects? My learning from this project is that traditional library systems are not always the best solution for grassroots libraries. Community needs and resources should shape library systems, rather than the other way around. And above all, as in most aspects of life, we need to be flexible - perhaps not an easy task for a librarian.

Looking back, I think the most important lesson is that libraries are built by communities before they are built by systems. Catalogues, circulation modules, and policies are important, but they are only meaningful when they support a genuine community need. In our case, technology did not create the library; it simply helped a community that already existed to share its books more effectively. The real foundation was a group of people determined to create a space for books, language, and community, even without the resources that libraries are traditionally expected to have.

As one of the latest Instagram posts from the Biblioteca María Elena Walsh says: “We are still growing, between books, gatherings, and the will to share. This is only the beginning… Subscribe.”


Figure 6. Instagram post from Biblioteca María Elena Walsh



28 Jun 2021

Remote Cataloguing Projects During Lockdown at the Library of TCD and the 1872 Printed Catalogue Conversion Project

The LAI Cataloguing and Metadata Group's AGM (2020) and networking event took place on 10th March, 2021 hosted virtually by TCD Library courtesy of the LAI Zoom account. This event featured a number of presentations on remote Cataloguing Projects during Lockdown at the Library of Trinity College Dublin and the 1872 Printed Catalogue Conversion Project.

Christoph Supprian-Schmidt (Acting Keeper, Collection Management), in his opening remarks outlined the situation for cataloguers during lockdown and explained how Library of Trinity College Dublin used the COVID-19 lockdown period to work on a range of remote cataloguing projects. He noted that at the one-year mark of the original lockdown, these projects will have added well over 200,000 records to Trinity's main online catalogue, Stella Search with most records are coming from the 1872 Printed Catalogue Conversion Project, - the focus of the presentations of the evening. 

While the loading e-book records, cataloguing digital collections and the remote cataloguing of new books (from scanned title and key pages and other cataloguing data), continued, TCD Library also used this time to work on the 1872 printed catalogue conversion project. This work was facilitated by access to scanned pages (and OCR data) of legacy catalogues.


 

The TCD Library Printed Catalogue 1835-1887 by Trevor Peare, former Keeper (Readers’ Services)

Trevor Peare presented the historical background to the 1872 Printed Catalogue and its 40-year conversion project. James Henthorn Todd (1805-1869) was primarily responsible for the first TCD Library printed catalogue. Todd entered Trinity 1820, graduating with an honours degree in Science in 1824 followed by a Fellowship and ordination 1831. He was appointed Assistant Librarian 1834 and finding the existing catalogues inadequate, he began work on a new library catalogue in 1835. By 1846, the entire library had been re-catalogued., Todd was appointed Librarian in 1852 and the first volume of the printed catalogue was published in 1864. Todd died in June 1869 and Henry Hutton and Jan Hessels were appointed as editors 1872. The final volume of the nine-volume set was published in 1887. The edition of 250 copies included 48 Presentation Copies.

John Gabriel Byrne entered TCD in 1952 and graduated top of the class in engineering in 1956. He also studied French, Latin and Greek. He completed his PhD 1957 –1961 and began lecturing in 1963. He was appointed the first Chair of Computer Science in 1973 and became interested in the printed catalogue in 1985. He arranged to begin scanning of the original text in 1990 and the first database and search system 1993 was available in-house in TCD in 1993 and on the internet by 2005.  The 5121 pages of one set of the eight volumes were separated in 1987 in order to make a microfiche copy and these pages, which were provided by Dr. Charles Benson, Keeper of Early Printed Books, were used to develop this on-line system. There are about 250,000 entries in the catalogue (including 'see references').The catalogue contains entries in at least eighteen languages. English and Latin occur most frequently and other languages in the Roman alphabet include French, Italian, Spanish, Portuguese, German, Dutch, Icelandic, Danish, Norwegian, Swedish, Welsh and Irish. 

Dirty secrets of OCR, or, how to wrangle a big set of bibliographic legacy data by Joe Nankivell, Junior Bibliographer (Early Printed Books and Special Collections) 

Joe Nankivell described the process of transforming the raw data from John Byrne’s OCR project into MARC records, with a particular focus on the data-cleaning side. The data had been shared on a memory stick that contained all Professor Byrne’s project files, including the records that formed the basis of his searchable online version of the printed catalogue. These records were distributed across over 5,000 files, one for each printed page, each containing between 30 and 50 records. The first task was to merge all these records into a single file where they could be manipulated in bulk, to impose consistency across the dataset prior to line-by-line proofreading by the wider team.

The OCR records had a superficial resemblance to rudimentary MARC records, with clearly identifiable bibliographic elements – a main heading (usually the author), the title, an imprint statement with place and date of publication, and a shelfmark. They could not be simply transformed and loaded, however, for three main reasons: Mapping difficulties due to inconsistent data structure, and more complex records that needed nuanced approach. OCR errors, as the original scans were low resolution. Missing data information not captured by OCR, or lacking in the original record.

The talk focused mostly on the first of these problems. One of the largest issues was how the 1872 catalogue handled multiple editions of the same title. These needed to be represented in MARC with an individual record for each edition, but in the printed catalogue they are filed under a single uniform title, usually reflecting the earliest edition held by TCD. This in turn appeared in the OCR data as a single record. Joe described the process of separating these out into new records using OpenRefine data-cleaning software, which proved to be the ideal tool for working with such a large and complex dataset. 


Some of the OCR errors could also be identified and cleaned at the batch-edit stage, as they followed predictable patterns. And the data was further enriched at this stage by separating the imprint out into fresh fields for place and date of publication, as well as printer, series, date range, language, and other information that was available in some of the more detailed records. This allowed the creation of more technically precise MARC records, populating fields for country, language and date. 


With the batch edits complete by the end of April, the dataset was shared among colleagues from across TCD Library, who painstakingly compared each line of the data with all 5,121 pages of the printed catalogue. This work went on over the rest of the year, and was finally complete just before Christmas 2020. In the final phase, the proofread data was given its final integrity checks and further augmented by Niamh Harte, the project manager who converted the records into MARC format and loaded them into TCD’s live online catalogue one volume at a time. All the presenters paid tribute to the work of their TCD colleagues Niamh Harte, Barbara McDonald and John Byrne on this project.

 *Special thanks to Joe Nankivell for his help in summarising his work on data-wrangling and OCR for this blogpost. 

 Patricia Moloney is secretary of the LAICMG and works as a cataloguing librarian on the Dónal Ó Súilleabháin Collection in Special Collections, Glucksman Library, University of Limerick.

25 May 2021

The Politics of Subject Headings

Guest post by Ailbhe O'Rourke, MLIS student graduating in Summer 2021.

In February 2014, a group of students from Dartmouth College stumbled upon the subject heading “illegal aliens” in the Library of Congress database. With the support of their campus librarians, the Dartmouth Coalition for Immigration Reform, Equality, and DREAMERs (CoFIRED) submitted a request to the Library of Congress to revise the heading “illegal aliens” and replace it with the term “undocumented immigrants”.

Since the early 2010’s, the term “illegal alien” had been widely acknowledged as a racist and outdated phrase. By 2014, news outlets and politicians had dropped the expression from their vernacular and the term had been phased out of public discourse. In 2016, the Library of Congress announced the intention to replace the term "illegal aliens" with "non-citizens".

However, in this instance, the symbiotic relationship between LoC subject headings and U.S. politics became apparent as Senator Diane Lane moved to block the proposed change. This was the first incident of the House of Representatives blocking a LoC subject heading amendment.

One might ask how a presiding U.S. government can have authority over the manner in which subjects are catalogued. The question is all the more pertinent considering the American Library Association describes itself as content- neutral, unbiased and nonpartisan. Library of Congress subject headings are in ubiquitous use across the world. It is concerning that this institution, which welds such power across in both the U.S. and internationally, is at the mercy of the House of Representatives.

A brief history of the LoC within the context of U.S. politics

Politics and the LoC have an uneasy relationship dating back to the post- war years. During the Cold War, librarians fought to retain the “right to read” amid increasing attempts at censorship by the U.S government. The post-war climate was one of paranoia and fear. As the USSR continued its expansion across eastern Europe, American society was on high alert and feared that communist interlopers had infiltrated their society. The U.S. government was eager to censor any material that could be considered communist- this did not pertain only to socialist literature, but anything written by an author who had been accused of having communist sympathies. 1948, the ALA sought tostrengthen the Library Bill of Rights to preserve intellectual freedom andmaintain the “right to read”.

In the early 1950s Senator Joseph Mc Carthy commenced a series of senate hearings investigating “anti-government activities”. The era of “McCarthyism” had begun. Riding a wave of populism and fear- mongering, the charismatic Mc Carthy conducted hearings, ideally targeting well-known victims that would garner a lot of press. In a pre- twitter era, these hearings were headline grabs; no more than publicity stunts, aiming to capitalise on a fraught nations’ post -war paranoia. Rarely were any of Mc Carthy’s accusations proven or prosecuted.

Two of Mc Carthy’s right-hand men, Roy Cohn and David Schine, were sent on an overseas tour to ensure that European libraries had removed books from perceived “communist” authors. Cohn and Schine were instructed by Mc Carthy to remove and burn books by authors that had been “blacklisted” as a result of refusing to testify during Mc Carthy’s Senate hearings, however a directive then changed these instructions to removing and storing these books in a place where their corrupting influence could not be felt.

In 1953 Dwight Eisenhower had been elected president. He was no fan of Mc Carthys, but needless to say he had been quite happy to capailtise on the controversial figures’ popularity to win the Presidency in the previous year. As a retort to Cohn and Schines enthusiastic auditing of European libraries Eisenhower made his position clear, saying:

“Don't join the book burners. Don't think you're going to conceal faults by concealing evidence that they ever existed. Don't be afraid to go in your library and read every book.”

Coincidentally, this speech took place at Dartmouth College, where the conflict between librarianship and politics would reignite sixty years later. Mc Carthy’s reign was brief but impactful, and by the late fifties his senate hearings had fizzled out. However, the long-term affect upon the library as a tool to reinforce political ideals would continue to be felt in the decades to come.

The Delta Collection

For author Melissa Adler, a browse amongst subject headings would reveal outdated social attitudes entrenched within the LoC catalogue. Headings related to homosexuality had been historically classified under “sexual deviation”, harking from the days when queerness was universally accepted to be a symptom of psychological illness. She looked for “homosexual” or “bisexual” within subject headings and found the subject heading “Paraphilias” occurring within the cataloguing of books about LGBTQ issues.

As well as policing personal politics, in post- war U.S. the government attempted to police sexuality. In common parlance, the words “communist” and “homosexual” were interchangeable terms, and a relentless fear of the perceived “other” permeated social discourse. (In fact, Mc Carthy would become a victim of his own methods when his opponents heavily implied that he had a sexual relationship with Roy Cohn.)

And so, the Delta Collection was born. Housing materials deemed too obscene for the public, including books such as Lolita and Ulysses, titles within this collection were assigned subject headings such as “sexual perversion”. Books such as Kharmasutra and Fanny Hill as well as books about birth control and sex within marriage were amongst the books assigned to this collection in the late 1880s. However, during World War 2, the Delta Collection took on a patriotic role as political materials deemed as anti- American were also added to the collection. “This climate no doubt altered the very nature ofthe Delta Collection from being a repository of the cultural record to being apolitical actor in the post-war era, one with increasing significance asMcCarthy’s policies and rhetoric came to dominate.”

One can trace the evolution of social progress through the changing LoC subject headings relating to sexuality. From 1898- 1972, books that contained LGBTQ material were catalogued under “sexual deviation”. From 1972 to 2007, “sexual perversion”. And from 2007 to this date, “Paraphilias”. “Homosexuality” was added to the sub heading in 1946, reflecting a newfound social awareness of homosexuality in popular culture. “Lesbians” was not added until 1974. “Homosexuality” was cross referenced with “sodomy” and “social pathology” until 1972.

Renowned cataloguer and trailblazing librarian Sandford Berman, in conjunction with the Task Force on Gay and Lesbian Liberation, were instrumental in petitioning for the changes that occurred in 1972. The changes that Berman facilitated removed connotations between homosexuality and mental illness. In 1975, in a gesture a progressive gesture that was ahead of its time, the ALA and LoC issued a statement advocating for minority groups to be permitted to describe themselves, rather than submitting to the descriptions of psychologists or politicians.

Looking to the future- the role of the cataloguing librarian

In the spring of 2016, the House of Representatives ordered the LoC to continue using “illegal aliens”. This was the first time the House of Representatives had intervened in a planned subject heading change. Politically, 2016 was a fraught time of transition. Promising a wall between Mexico and the U.S., Donald Trump had become president. Brexit was looming across the Atlantic. Both of these incidents had been enacted by a rising wave of emboldened racist discourse.

This means that the intervention by government in the subject heading change was a symbolically significant event. Just as the ALA had had apprehensions of what loomed on the horizon in the late 1940s, this decision sent shockwaves through the world of librarianship. Much as the subject heading “sexual deviant” had sought to reinforce social norms in the post -war years, by preserving “illegal aliens”, Republicans sought to control the language in which undocumented immigrants were discussed. History seemed to be repeating itself. Trump further evidenced the power of language and the intent of the U.S. Congress by resurrecting the then defunct term “illegal aliens” during campaign rallies. By resurrecting this term, both Trump and the Republican party sought to spread fear and create a sense of “othering” much as Mc Carthy had sixty years previously.

Still, the librarians rebelled against the U.S. Congress. Harvard and CSU library replaced “illegal aliens” with “undocumented immigrants” within their own library systems. Over forty other libraries have followed suit with the same course of action. As of April 2021, “illegal aliens” remains a subject heading within the LoC.

Much has been said and written about the librarian’s role in fighting the rising tide of “fake news”. It is increasingly impossible for librarians to remain unbiased and nonpartisan in the multi literacy age, however looking back at history once may be forgiven for wondering if they ever truly could be.

Less has been said about the way information is catalogued, and how it can have long term ramifications for democracy, human rights and social progress. The LoC subject headings of any particular era are a snapshot of cultural norms and social attitudes- language is how we shape the world around us. But in the case of LoC subject headings, language can also be wielded as a weapon and instrument of oppression.

2 Apr 2020

Cataloguing older Irish language material: some brief notes on the Cló Gaelach.

Guest post by Patricia Moloney, Librarian, Cataloguer of Dónal Ó Súilleabháin Library University of Limerick

Following a transcription query on library twitter last week, these brief notes on the Cló Gaelach/Gaelic typeface may be of interest to cataloguers with limited previous exposure to the Irish language.

















Almost all texts published in the Irish language up to the mid-20th century, were printed using the Cló Gaelach, a family of Gaelic typefaces (also known as Irish type and Irish character). The Cló Gaelach is modelled on an angular form of calligraphy (the insular minuscule script) based on the Latin alphabet, which developed in the Irish medieval monastic scriptoria. (For more on the history of Irish scribal tradition see The Irish Hand by Timothy O’Neill). Traditionally the letters j, k, q, v, w, x, y and z were not used in the Irish language, but in later centuries they began to appear in loanwords e.g. júdó (Judo); x-gha (x-ray); zú (zoo).











Irish Type Design
The subject matter of the first Irish language books to appear in print was religious. By royal order, the first fount of Irish type (known as Queen Elizabeth’s Irish type) was cast in London before 1571 and was sent to Dublin where immediately an Irish printing press was set up in order to facilitate the production of religious texts. Regarding printing terminology, in traditional printing where metal moveable type is used, the term ‘fount’ (later ‘font’) refers to the physical metal letters which were created/cast in the form of a design of typeface. Stylistic variants create a typeface family, in this instance, the Cló Gaelach or Gaelic typeface/Irish type.

The circulation of Irish language translations of the New Testament on the part of the Reformed Church in Ireland, which were printed using this Queen Elizabeth’s Irish type, (a hybrid fount of Irish and Roman letters), dismayed the Irish Franciscans in Louvain. In response, the monastic college arranged for the design of what later came to be regarded as the first authentic Irish typeface, (Louvain Irish type), and this was used for the printing of the catechism of Friar Bonventura O’Hussey (Giolla Brighde Ó hEódhasa), in 1611.  Later typeface designs which form part of the Gaelic typeface family include: Parker Irish type (1787); Petrie A (1835); B (1850); C (1856) and more recently, Colum Cille (1936) which was designed by Colm O’Lochlainn of Three Candles Press. (For more on the history of Irish typefaces see Irish Type Design by Dermot McGuinne).











Transcription
Síneadh fada
In addition to the 26 letters of the Latin alphabet, the Cló Gaelach/Gaelic typeface must include all five vowels with the síneadh fada (a “long sign” which lengthens the sound of a vowel).  To put an acute accent/síneadh fada on a vowel, (rather than inserting a special character from the symbols menu which is time-consuming), for a quick method in Windows, hold down the Alt Gr key, then press the key for the vowel to produce á, é, í, ó or ú.  Again, in Windows, for capital letters, hold down the Alt Gr and the Shift key together, and then press the key for the vowel to produce Á, É, Í Ó or Ú.

On the Apple Mac, holding down the option key at the same time as the key for e and pressing the key for the vowel that needs the accent/fada will produce á, é, í, ó or ú.  For capitals, hold down the option key, the key for e, the Shift key and the vowel that needs the accent/fada added to produce Á, É, Í Ó or Ú. It should be emphasised that the inclusion of the síneadh fada is very important for meaning e.g. the word fear = man, but féar = grass.

Séimhiú
The Gaelic typeface includes a set of consonants with a dot above (known as a ponc séimhithe "dot of lenition", séimhiú "lenition" or buailte "struck"). Since the establishment of An Caighdeán Oifigiúil/the Official Standard of modern Irish in the mid-20th century, and the adoption of the roman typeface for printing in the Irish language, the letter h is inserted after the relevant consonant to indicate lenition instead of the overdot. Special codes exist which permit display of the overdot séimhiú but for the purposes of cataloguing, the letters Ḃḃ Ċċ Ḋḋ Ḟḟ Ġġ Ṁṁ Ṗṗ Ṡṡ Ṫṫ may be transcribed as Bhbh Chch Dhdh Fhfh Ghgh Mhmh Phph Shsh Thth.

Image: Wikipedia
Tironian symbol ⁊
The Tironian symbol ⟨⁊⟩, which signifies the word et in Latin; ocus/agus in Irish, (‘and’ in English), is a remnant of a shorthand system, the notae Tironianae or Tironian notes, believed to have been developed by Marcus Tullius Tiro (died c. 4 BC).  Tiro was the confidential secretary, literary adviser, and former slave of Marcus Tullius Cicero (106 BC – 43 BC), the Roman philosopher, lawyer, statesman who was renowned for his prose style. Tiro was freed by Cicero in 53 BC and following the philosopher’s death, Tiro published some of the Cicero’s speeches and letters, in addition to writing a biography. Medieval monastic scribes used many abbreviations, including Tironian notes. The Tironian symbol ⁊ survived in use in Latin and Irish language manuscripts to represent et and ocus/agus respectively and eventually became an essential element of the Gaelic typeface. The Tironian symbol ⁊ may be transcribed as ‘agus’ for the purposes of cataloguing.

Early logo of the Irish Department of Posts and Telegraphs/ An Roinn Puist agus Telegrafa,  Image: Wikipedia
Image by Richard Mcall from Pixabay
Adding scholarly notes – identification of stylistic variants etc.
Clóliosta, Printing in the Irish language, 1571–1871: An attempt at narrative bibliography, by Richard Sharpe and Mícheál Hoyne (soon to be published by the Dublin Institute of Advanced Studies), is  a catalogue of printing in Irish from the beginning until 1871 which aims to document “the title and imprint of every item entered, a concise material description, identification of the Irish type used where relevant, the printer and place of printing, and references to appropriate bibliographical repertories”(dias.ie/cloliosta).

On  5 March 2019, Professor Richard Sharpe (Professor of Diplomatic at the University of Oxford), delivered the keynote address to  the Library Association of Ireland Cataloguing and Metadata Group Annual General Meeting during which he presented an overview of the Clóliosta catalogue project and where he requested the assistance of cataloguers and librarians in order to alert the editors to the existence of little-known or obscure copies and editions.

Professor Richard Sharpe addressing the LAICMG AGM in the National Library of Ireland, 5th March 2019. Photo: Yvette Campbell
Copies of the draft Clóliosta were made available to curators in libraries with relevant Irish holdings and the latest draft is now available as a PDF for download from the website of the DIAS here. The level of detail provided in the Clóliosta renders it an invaluable resource to cataloguers of Irish language publications who wish to add scholarly notes to records, including identification of typefaces and printing houses, and to those researchers interested in the book history and the history of print culture in the Irish language.

The sad news last week of the untimely death of Professor Richard Sharpe, renowned scholar, bibliographer, and supporter of libraries, came as a great shock to many in the library world. 

Ar dheis Dé go raibh a anam uasal.

Further reading
  • O'Neill, Timothy, The Irish hand : scribes and their manuscripts from the earliest times, Cork University Press in association with the Keough Naughton Notre Dame Centre, Dublin, 2014 (new edition). 
  • McGuinne, Dermot, Irish Type Design:  A History of Printing Types in the Irish Character, Irish Academic Press, 1992
  • Hoyne, Mícheál; Sharpe, Richard, (eds.), Clóliosta , https://www.dias.ie/celt/celt-publications-2/cloliosta/ [Accessed 31 March, 2020].
Patricia Moloney is a librarian in the Glucksman Library, University of Limerick, where she is cataloguer of the Dónal Ó Súilleabháin Collection in the Special Collections and Archives Department. She is the current Secretary of the Library Association of Ireland Cataloguing and Metadata Group.

23 Jun 2016

CONUL ANLTC Library Assistant Award 2016: Summer Time…Something Different!

*Highly commended entries 2016*

Summer Time…Something Different!

by Helen O’Connor, Maynooth University

Working in a very busy academic library brings many job opportunities. Each summer, Library Assistants are invited to work on different projects – we apply for the roles and attend an interview, that in itself is a new experience!  During the summer months of 2014 and 2015 I was delighted to get the opportunity to work in our Digital Electronic Collections (DEC) department.  This is a big change for me - as I mainly work in Library Information Services (LIS). I am part of a team of nine who work on desk services at the ‘coalface’ dealing with up to 45,000 queries in an academic year…luckily I work with some great colleagues to answer that volume of questions!  We answer a variety of questions including circulation enquiries, help finding material, assistance with sourcing material for assignments as well as those strange and wonderful queries you can get when working with the public!  (‘Could you please close the windows we are freezing?’......’Can you please ask the people who are talking on level 1 to be quiet?’.......’Do I really owe all those fines?’........)  

The experience in DEC was a great way to see and experience the work done in another department.    

Maynooth University ePrints and eTheses Archive

My first experience in DEC in 2014, involved working on a “Theses Digitisation” summer project. We drew up a list of nearly 300 of the most highly borrowed theses, I checked the list for the year and qualifications then I retrieved the theses from the shelves. These were then boxed and sent away to be digitised. Each thesis was copied and saved in PDF format which was sent back via Dropbox. Each thesis was then uploaded to eTheses - full-text electronic copies of theses produced by research postgraduates from the University. The bibliographic records were adjusted accordingly and all theses reshelved.

I really enjoyed working on this project.  It was something I could work at on my own and I could see how every stage of the project was progressing.  I found it a very worthwhile project as it gives our patrons immediate access to a selection of our theses and it gave me experience of working on our ePrints repository. It also gave me a much greater knowledge for the coming academic years when students or academic staff have queries about electronic theses. 


Copyright:  http://deevy.nuim.ie/  

In 2015 I had the opportunity to work on the Teresa Deevy Archive. 

Teresa Deevy was born in 1894, and was a deaf Irish dramatist, short story writer and also a writer for radio. Many of her papers have been digitised including scripts, published versions of Deevy writings, theatre programmes and other memorabilia from theatrical productions, details of broadcast productions, correspondence and newspapers clippings. 


This project involved editing some of the collections, including copyright newspaper articles, performances and broadcasts.  I did this using one of our library based repositories, Omeka, which is a free, open source content management system for online digital collections. I had never used Omeka before so this was an excellent learning experience for me.

A programme from the Abbey Theatre 
Image and content Copyright: NUI Maynooth 

I also catalogued a collection of letters including the transcription of these letters.  Interestingly, this gave me a small insight into the type of person Teresa Deevy was.  My work on the archive continued and I developed a spreadsheet with a list of actors and contributors and added links to Deevy archive, the Abbey Theatre archive and Wikipedia.  

I used links to Irish playography, a comprehensive database of new Irish plays produced professionally since 1904, while searching for actors of the Abbey Theatre.  I really enjoyed this particularly as I would have gone to a lot of theatre in the Abbey and I recognised a lot of the actors and this in turn evoked some really wonderful memories. 



I also worked on the Irish Newspaper Archive.This archive was very interesting as it was great to look back at the old newspapers at times. I found myself reading some of the old advertisements, that reminded me of times gone by!

Working on both of these projects enabled me to learn a lot about our collections and how we set up the archives and catalogue all the items.  Both summers involved very varied work and I always grab the opportunity to work with colleagues in other departments, but as always I love to return to working in LIS on desk services as a new term commences.