5 Nov 2026

Maiden, Mother, Punk-Ass Book Jockey: The Faces of Librarians in Pop Culture

Congratulations to Maggie McAlister Smyth from the King's Hospital Day and Boarding School, whose blog post has been awarded 1st place in the A&SL Blog Post Competition 2026. 

The competition invited library staff and LIS students based in Ireland to submit a blog post exploring how library staff, libraries and information work are portrayed across film, television, literature, art, social media, gaming, news media or other cultural formats.
 
 “They’re like a biker gang. Only instead of shotguns and crystal meth, they use political savvy and shushing.” (Parks and Recreation, S2 Ep8: “Ron and Tammy”)

The scene: New York Public Library. Nineteen eighty-something. Murray, Aykroyd and Ramis are creeping through the stacks with one plan: “Get her!” Now, those who know me know I love anything to do with ghosts and the paranormal. During Covid, I got an online certificate degree in cryptozoology. I read horror and listen to spooky podcasts like it’s going out of style. But when I watched this for the first time as a young teenager, and that ghost librarian’s head peeled back as she exploded into a spray of ectoplasmic goop all over, I was terrified. And that librarian? Combined with the two librarians Murray and co. speak with just before this scene – one fainted from fright, another cagey and disapproving? Not exactly a ringing endorsement of the field.
 
Years before this, my first TV librarian was Paige Turner of the Elwood City Public Library. She was a rabbit on Arthur with big-framed glasses, a cardigan and a friendly but no-nonsense demeanour. She always had a pencil in her hair.

A cartoon anthropomorphized rabbit with a brown bob, large square frame glasses, purple frilled shirt and tan cardigan. A pencil is tucked into her hair under her ear
Paige Turner, Arthur, from Arthur Wiki. 

Now a librarian in my thirties, I too wear big-framed glasses and cardigans, attempt to keep up a friendly but no-nonsense demeanour, and often am found with a writing utensil stuck through my ponytail. (I’ve also been known to come home from work with a binder clip used instead of a hair-tie). Up until very recently, my glasses of choice were red cat-eye style. My students approved vehemently of these as being appropriate for my position.
 
A comment I have received more than once is – glasses aside – students and new staff are surprised to meet me. They assume that a librarian will be dowdy, advanced in years, and a bit grumpy. At the very least, overly stern. Librarians are traditionally portrayed so thoroughly in media (particularly pre-Y2K media) as being spinsters and enforcers that some feel trepidation in even darkening the doors of their local library branch, a tragedy indeed. A few bad apple librarians in film and television may seem to be no big deal, but “misconceptions about librarianship can significantly influence how society perceives, values, and supports the profession” (Owoeye et al., 2025). 

Further, “perceptions of librarians” act as a deterrent for some potential library users (Black, 2016). McAfee’s (2018) research on library anxiety further reflects this – a deep fear of being judged for having less knowledge or understanding than the librarian you are speaking to is a great deterrent from help-seeking. And if the librarians you grew up on are cranky, grumpy, and don’t take kindly to being asked questions, well …  

This portrayal is outdated though, if it ever was true. Librarians, and our pop culture counterparts have changed drastically since Mary was relegated to the life of a spinster librarian by George Bailey’s wish to never be born (Capra, 1946). As Thiruppathi (2024) puts it, “the digital age has propelled librarianship into a new era characterized by evolving roles, challenges, and opportunities" (p. 7). 

In 2019, LitHub published a list of “50 Fictional Librarians, Ranked” (Temple, 2019). Among the names on this list are librarians who are as far from frail and timid as one could imagine – the adventurous if somewhat accident-prone Evelyn Carnahan (Rachel Weisz) in The Mummy; the wise and snarky Rupert Giles (Anthony Stewart Head) of Sunnydale High; Pawnee’s hypersexual “punk-ass book jockey” Tammy II (Megan Mullally) in Parks and Recreation. 

A woman in 1940s clothes and with curled, pinned back hair brings round wire framed glasses down her nose.
Rachel Weisz as Evelyn Carnahan in The Mummy via Google. 

Based on this quick audit of recent character depictions, I hope that younger people are under the impression that librarians shouldn’t be feared because we will glare down our noses at you, but rather because we will tell you what you need to know, whether you want the truth or not. I hope that the predominant media consumed about librarians is the documentary The Librarians (2025), an incredibly powerful film about the ways that librarians in the United States (particularly in my own home state of Texas) are facing violent threats, harassment, and loss of employment in the wake of the Krause List. 

In the 80s and 90s, moms across America would guilt their children into eating their meatloaf by saying “kids in [insert name of country exploited by Western colonialism here] don’t have food”. Now, I find myself saying to students “kids in my hometown don’t have that book”. But that is another conversation for another day.  

I decided to do a little gumshoe work myself on the topic and hounded a handful of teachers at my school for their opinions. Funny enough, my first respondent, a science teacher, said that as a kid he thought of librarians as the ghost from Ghostbusters – though he admits “from my experience I didn’t get much from the media about [librarians]”. One RE teacher wanted to include he believes that “the reclusive, nondescript glasses wearing librarian with her (always her) hair tied up in a neat bun does not help” getting young people to interact with the library but rather drives potential readers away for fear of their being perceived by peers as uncool by association. A younger member of staff added that her understanding of librarians growing up was reinforced by “this grumpy old woman at the Blanch library. If you had the cheek to walk in, you were an inconvenience”. My personal favorite response was that the media typically portrays librarians as “spinsters with no craic about them at all, which is not really the experience I have had with the librarians in my place of work” (personal communications, 2026).

I would love to say that I have never encountered this stereotypical librarian, but we all have bad days. There are days when a student has cried on my shoulder after her friend decided they didn’t want to be friends anymore, but there are also days when I have snapped at a student too harshly. I hope that my good days far outweigh my bad.  


References
Black, S. (2016). Psychosocial reasons why patrons avoid seeking help from librarians: A literature review. The Reference Librarian, 57(1), 35-56. doi:10.1080/02763877.2015.1096227

Capra, F. (1946) It’s a Wonderful Life. RKO Radio Pictures.

Daniels, G. & Schur, M. (Executive Producers). (2009-2015). Parks and recreation [TV series]. Deedle-

Dee Productions; Universal Media Studios.

McAfee, E. L. (2018). Shame: The emotional basis of library anxiety. College & Research Libraries, 79(2), 237. doi.org/10.5860/crl.79.2.237

Owoeye, S. O. et al., (2025, June). Not just a book lady: Shifting perceptions of librarians’ role in the 21st Century. Journal of Library Services and Technologies, 7(2), 232-243. doi.org/10.47524/jlst.v6i2

Temple, E. (2019, Oct. 16). 50 fictional librarians, ranked. LitHub. https://lithub.com/50-fictional-librarians-ranked/?single=true

Thiruppathi, K. (2024). Librarian’s role in the digital age: Reimagining the profession in the era of information abundance. Information Journal of Library and Information Studies, 13(1), 1-9.  
 
Posted on Thursday, November 05, 2026 | Categories:

2 Nov 2026

More Than a Shush: Librarians, Comics and the Power of Popular Culture

Congratulations to Jane Burns from the Technological University of the Shannon, whose blog post has been awarded 2nd place in the A&SL Blog Post Competition 2026.

The competition invited library staff and LIS students based in Ireland to submit a blog post exploring how library staff, libraries and information work are portrayed across film, television, literature, art, social media, gaming, news media or other cultural formats.

Before I begin, a confession: I have always loved comics and I still do.

As both a librarian and a comics fan, I have noticed something interesting. Comics do not simply represent librarians differently; they often reimagine librarianship as a form of agency, leadership, and social impact. In these stories, librarians are not passive custodians of books but knowledge guardians, researchers, strategists, and sometimes even superheroes.

Comics are more than entertainment. Like other forms of popular culture, they both reflect and shape social attitudes. This makes them a fascinating lens through which to examine librarianship. Rather than reinforcing the stereotype of the lonely, rule-bound librarian, many comics portray librarians as intelligent, resourceful professionals whose real superpower is connecting people with information and ideas. In this post, I explore two favourite examples and consider what they reveal about librarians and libraries in popular culture.

How It Started

My fascination with libraries began in childhood. The local public library felt magical, full of possibilities waiting to be discovered.

One visit remains particularly memorable. I arrived clutching a newspaper comic strip, convinced my older brother was inventing the story because the pictures and words did not seem to match. Instead of dismissing my confusion, a librarian showed me how comics worked, explaining how pictures and words combine to create meaning.

Looking back, that moment revealed something fundamental about librarianship. Librarians do more than provide access to information; they help people understand it.

Perhaps that is why I never questioned Batgirl being a librarian. To me, librarians were already superheroes. Batgirl simply wore a cape.

Cover of Detective Comics #359 introducing Batgirl. The Comic Cover has a title of Detective Comics- Meet the new BatGirl Also featured are images of Batman and Robin with the text over the additional batman logo indicating (starring -with a comic arrow) Surrounding the Batgirl image is highlighted text that says - Is the heroine or Villainess? and What is her startling Secret Identity. Below the batgirl image is reflective batman logo outline that says "The Million-Dollar Debut of Batgirl”
Figure 1. Barbara Gordon's first appearance as Batgirl in Detective Comics #359 (DC Comics, 1967).

Barbara Gordon is arguably the most famous librarian in comics. As head of Gotham Public Library, she challenged stereotypes of librarians as passive figures. After being paralysed by the Joker, she evolved from Batgirl into Oracle, transforming adversity into a new form of heroism.

As Oracle, she became the information hub of the superhero community. Her power lay not in physical strength but in gathering, analysing, and sharing information. Heroes relied on her expertise and networks to make informed decisions.

Barbara Gordon as Oracle standing before a giant clock in her technology-filled headquarters. Two Computer Monitors are visible. On each screen there is a humanoid face. There is also four-tailed speech balloon with the word Complying. This type of speech balloon visually communicates a chorus of voices rather than a single speaker. It is possible to infer that the voices are coming from different computers where people are networked- similar to an online call ex. a Zoom call.
Figure 2. Barbara Gordon as Oracle. Image based on the DC Comics character created by Ostrander et al., 1989.

What makes this portrayal so interesting is how closely it aligns with contemporary librarianship. Oracle embodies many of the skills information professionals use every day: digital curation, knowledge management, information literacy, and research support. Through Barbara Gordon, librarianship becomes a source of intellectual and social power rather than a background profession.

Lucien: Guardian of Knowledge and Imagination

A very different vision of librarianship appears in Neil Gaiman's The Sandman. Lucien serves as librarian of the Dreaming, overseeing a library that contains every book ever imagined, including those never written.

At first glance, Lucien seems to embody the traditional image of the quiet, bookish librarian. Yet he is one of the most trusted figures in the Dreaming, drawing authority not from force but from his stewardship of knowledge, memory, and imagination.

I have always found Lucien compelling. One of the most rewarding aspects of librarianship is helping people make unexpected connections and discover new ideas. Lucien's library captures that same sense of possibility, where knowledge and imagination combine to create something new.

Although thoughtful and reserved, Lucien is far from passive. When the library is threatened, he shows courage and an unwavering commitment to protecting knowledge. In this respect, he reflects contemporary librarians who increasingly defend intellectual freedom, cultural memory, and access to information.

Figure 3. Lucien, librarian of the Dreaming, from The Sandman (Gaiman, 1989).

Beyond Books: Reimagining the Library

Comics do not only transform librarians; they also transform libraries themselves. Rather than depicting libraries as silent warehouses for books, many comics present them as dynamic spaces of discovery, creativity, and power. In The Sandman, Neil Gaiman reimagines the library as a repository of human imagination, holding every book that has ever been dreamed, including those never written (Gaiman, 1989). In James Turner's Rex Libris, a public library becomes an interdimensional gateway where the librarian is charged with protecting both knowledge and reality itself (Turner, 2002), European creators have explored similar themes. Pierre Christin and Jean-Claude Mézières's Valérian et Laureline (Christin, et al. 1967-2010) and Jacques Tardi's The Extraordinary Adventures of Adèle Blanc-Sec feature archivists, researchers, and information professionals whose pursuit of knowledge leads them to hidden truths, forgotten histories, and complex mysteries (Tardi, 1976). Together, these works present libraries not as passive repositories but as active spaces where information shapes worlds, identities, and possibilities.

These portrayals suggest that libraries are not simply places where information is stored. They are places where knowledge is created, shared, interpreted, and transformed. They also raise an interesting question: how does popular culture shape what people believe librarians are?

The relationship between representation and perception matters. The stories people encounter in books, films, television, and comics influence their understanding of professions and institutions. For many readers, popular culture becomes a first point of contact with ideas about what librarians do and why libraries matter.

Conclusion

Comics are one of the few areas of popular culture where librarians are frequently portrayed in a positive and empowering light. While some familiar stereotypes persist, contemporary comics increasingly present librarians as researchers, strategists, knowledge guardians, and agents of change.

From Gotham City to the Dreaming, these stories remind us that librarians do far more than organise collections. They connect people with ideas, preserve cultural memory, and help individuals navigate an increasingly complex information landscape.

Perhaps that is why librarians make such compelling heroes. In a world overflowing with information, the ability to find, understand, evaluate, and share knowledge may be one of the greatest superpowers of all.

Comics remind us that librarianship is not simply about managing books. It is about creating connections between people, information, and possibility. That may not require a cape, but it is heroic, nonetheless.


AI Use Declaration

For this blog post submission, I used the AI tool Co-Pilot to brainstorm ideas and for reference structure within the document and as part of the reference section. I also used AI to check for repetition in my writing as an editing assistant.


References & Suggested Reading

Carey, M., & Gross, P. (2009-2015). The Unwritten [Comic book series]. Vertigo/DC Comics.

Christin, P., & Mézières, J.-C. (1967-2010). Valérian et Laureline [Comic series]. Dargaud.

Duncan, R., Smith, M. J., & Levitz, P. (2015). The power of comics: History, form and culture (2nd ed.). Bloomsbury Academic.

Eisner, W. (2008). Comics and sequential art (Rev. ed.). W. W. Norton & Company.

Fox, G., & Infantino, C. (1967). Detective Comics #359. DC Comics.

Gaiman, N. (1989-1996). The Sandman [Comic series]. DC Comics/Vertigo.

Groensteen, T. (2007). The system of comics (B. Beaty & N. Nguyen, Trans.). University Press of Mississippi.

Pfeifferer, O., & Grimm, S. (Eds.). (2020). Comics and critical librarianship: Reframing the narrative in academic libraries. Library Juice Press

McCloud, S. (1993). Understanding comics: The invisible art. HarperPerennial.

McCloud, S. (2006). Making comics: Storytelling secrets of comics, manga, and graphic novels. Harper

Ostrander, J., Yale, K., & McDonnell, L. (1989). Suicide Squad. DC Comics.

Tardi, J. (1976-present). The extraordinary adventures of Adèle Blanc-Sec [Comic series]. Casterman

Turner, J. (2002). Rex Libris. Slave Labor Graphics.
Posted on Monday, November 02, 2026 | Categories: